Colloquium on Digital Heritage and Preservation

The main theme of the event is an open discussion of the theory and application of digital technologies to exhibit, preserve, maintain and develop our cultural heritage. We have a range of interesting talks bringing together some of the leading international experts from a variety of disciplines including digital architecture; archaeology; literature; curatorship and broadcasting, including Dr Paul Gerhardt, director of the BBC Creative Archive; Dr Reem Baghat of CULTNAT in Giza, the team who produced the ‘Eternal Egypt Portal’, and Vladimir Karen, one of the men behind the UNESCO World Heritage guidelines for digitising manuscripts.

Full details can be found on the website .

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Subversion client

Just found a quick way to get a Subversion client going on a Mac that hasn’t got Fink on it, here at Metissian.com. (Also here.) Click to install the package, check /etc/profile to be sure /usr/local/bin is in the path, and away you go.

That client works at the command line. svnX provides a decent GUI (if you want one), usefully complemented by SSHPassKey (or here), to enable svn+ssh interaction with your remote repository.

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D-Lib

Juicy stuff in D-Lib this month:

Hierarchical Catalog Records: Implementing a FRBR Catalog
David Mimno, University of Massachusetts, Amherst; and Gregory Crane and
Alison Jones, Tufts University

Development and Assessment of a Public Discovery and Delivery Interface
for a Fedora Repository

Leslie Johnston, University of Virginia

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BB devours WebCT

Bryan Alexander observes that “BB is the new Microsoft” for the CMS field.

Moodle, anyone?

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Care to comment on a Greek font?

The Society of Biblcal Literature [SBL] has an interesting model for the development of fonts that are “… attractive and legible on computer screens and in print, include characters and symbols found in critical editions, display complex scripts, and transfer between operating systems and applications that support Unicode/OpenType standards…”

They are currently working on a Greek font and seek comment from thos who have use for such a thing.

If you wish to have a sample of the font and the contact information for comments send me a message.

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Another institution goes open access

The Oriental Institute of The University of Chicago announced a new publication policy yesterday: “Starting in 2005, the Oriental Institute is committed to digitizing all of its publications and making them available online, without charge. The minimum for each volume, old and new, current and forthcoming, will be a Portable Document Format (PDF) version following current resolution standards. New publications will appear online at or near the same time they appear in print. Older publications will be processed as time and funding permits”.

A suite of a score of publications is initially available at their page of Electronic Publications On-Line.

As a member of both the Electronic Publications Committee and the Electronic Publications Implementation Committee at the Institute before coming to Athens, I can assure you that the task of the former was much simpler than the latter.

All of these are, of course, indexed in Abzu

Have other institutions done something similar?

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Rollyo

Folks who recall the now-defunct Argos LASE (limited area search engine) may be interested in Klaus Graf‘s experiments with Rollyo, a site that lets you limit search results to certain sources. Klaus has now created a neo-Latin Rollyo, and an OA Rollyo, among others.

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CLiP CFP

The 7th Computers, Literature and Philology (CLiP) conference:
‘Literatures, Languages and Cultural Heritage in a digital world’

Centre for Computing in the Humanities, King’s College London, UK
Thursday 29 June – Saturday 1 July 2006
https://www.cch.kcl.ac.uk/clip2006/

ABOUT CLiP Continue reading →

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“restless, question-driven, active reading”

Gregory Crane, Reading in the Age of Google

As staggering as some changes have been over the past twenty-five years, it is difficult to predict what we will be reading in fifteen, ten, or even five years’ time. Subsequent developments may be even more dramatic as old ways of doing things dissolve and a new generation, immersed in electronic information from childhood, takes its place.

The goals we pursue-the hunger for ideas, the desire to understand more, the delight in reasoned, evidence-based debate-will continue to find new modes of expression. Reading has been in flux since writing began to emerge four thousand years ago. The increasing mechanization of print facilitated a shift from intensive reading, where readers repeatedly studied a few texts such as the Bible, Vergil’s Aeneid, or Shakespeare’s plays to extensive reading where readers moved through one novel after another. This shift had many effects, not least of which was laying the foundation for modern democratic society. The restless, question-driven, active reading in the age of Google may lead to a shift that is just as dramatic.

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“not exactly dignified”

Henry Farrell in the CHE:

Both group blogs and the many hundreds of individual academic blogs that have been created in the last three years are pioneering something new and exciting. They’re the seeds of a collective conversation, which draws together different disciplines (sometimes through vigorous argument, sometimes through friendly interaction), which doesn’t reproduce traditional academic distinctions of privilege and rank, and which connects academic debates to a broader arena of public discussion. It’s not entirely surprising that academic blogs have provoked some fear and hostility; they represent a serious challenge to well-established patterns of behavior in the academy. Some academics view them as an unbecoming occupation for junior (and senior) scholars; in the words of Alex Halavais of the State University of New York at Buffalo, they seem “threatening to those who are established in academia, to financial interests, and to … well, decorum.” Not exactly dignified; a little undisciplined; carnivalesque. Sometimes signal, sometimes noise. But exactly because of this, they provide a kind of space for the exuberant debate of ideas, for connecting scholarship to the outside world, which we haven’t had for a long while. We should embrace them wholeheartedly.

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Anti-spam

After installing Spam Karma 2 (a WordPress plugin), I’ve turned comments on as the default for this blog. We’ll see how it goes…

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The Journal of Electronic Publishing

The Journal of Electronic Publishing is an online journal published by the Michigan University Press.

Publisher’s note
Electronic publishing is changing the world we live in. It is changing what publishers do. It is changing the way scientists, business people, and students — all of us — work.

In this environment of change and uncertainty, the publisher faces many challenges: details such as Web design, server management, pricing (and collecting the revenue!) as well as the big policy questions.

The Journal of Electronic Publishing is for the thoughtful forward-thinking publisher, librarian, scholar, or author — in fact, anyone in this new business — facing those challenges. We aim to range widely in our coverage, but the emphasis will be on the broader issues that should shape policy, and on professional, scientific or academic publishing, both books and journals.

JEP faces the same problems as any electronic publication, and we intend to make a virtue of that by using the Journal as a testbed to try ideas and to show to you, our readers, what happens when we do. We hope for successes, of course, but we will report on our failures, too.

One experiment is that we are neither quite a magazine nor a journal. We are both. The core of each issue is a set of short invited contributions from expert and experienced practitioners on a particular theme. That is more like a magazine. We also seek out and encourage longer pieces from publishers and from scholars and others who are thinking interestingly about electronic publishing. That is the journal. And from time to time we are adding regular columns.

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Creative Commons: problems with -NC licenses

Erik Möller, “Are Creative Commons-NC Licenses Harmful?” Podcasting News, October 4, 2005. Excerpt (via Peter Suber):

When the Creative Commons project published its first licenses in December 2002, it finally brought a sense of unity behind the free content movement….One particular licensing option, however, is a growing problem for the free content community. It is the allow non-commercial use only (-NC) option. The “non-commercial use only” variants of the Creative Commons licenses are non-free, and in some ways worse than traditional copyright law — because it can be harder to move away from them once people have made the choice. There may be circumstances where -NC is the only (and therefore best) available option, but that number of circumstances should decrease as the business models around free content evolve. The key problems with -NC licenses are as follows: [1] They make your work incompatible with a growing body of free content, even if you do want to allow derivative works or combinations. [2] They may rule out other basic uses which you want to allow. [3] They support current, near-infinite copyright terms. [4] They are unlikely to increase the potential profit from your work, and a share-alike license serves the goal to protect your work from exploitation equally well…..As we will see, there are many desirable commercial uses….[I]f you choose an -NC license, your work will not be compatible with Wikipedia, Wikinews, Wikibooks, and similar free content projects. One reason for this is that licenses like Wikipedia’s, the GNU Free Documentation License, work according to the copyleft (or…”share-alike”) principle: You can make derivative works, but they have to be licensed under the same terms. You cannot make a derivative work through addition of -NC content, as you can no longer apply the (more liberal) “share-alike” license to the entire work. Even where the license allows it, marking up regions of content as non-commercial and consistently following these boundaries is almost impossible in a collaborative environment….The use of an -NC license is very rarely justifiable on economic or ideological grounds….Finally, if you must use such a license for one reason or another, please do add an additional notice specifying the term of copyright protection you desire for your work. Otherwise, traditional copyright law will apply, and commercial use will be forbidden long beyond your death.

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The Singularity

from Slashdot:

Rewind your brain 15 years and imagine what you’d think if I told you:

Your computer will be roughly 1,000 faster than what you’re using today. You will probably have more than 4,000 times the memory, and a fast hard drive that stores over 100,000 times as much as that floppy you’re using. You can buy these supercomputers for less than $500 at Wal-Mart.

That computer will be hooked into a self-directed network that was designed by the Department of Defense and various universities – along with nearly 400,000,000 other machines. Your connection to this network will be 10,000 times faster than the 300 baud modem you’re using. In fact, it will be fast enough to download high-quality sound and video files in better than realtime.

There will be a good chance that your computer’s operating system will have been written by a global team of volunteers, some of them paid by their employers to implement specific parts. Free copies of this system will be available for download over the hyperfast network. You will have free access to the tools required to make your own changes, should you want to.

You will use this mind-bendingly powerful system to view corporate sponsored, community driven messages boards where people will bitch about having to drive cars that are almost unimaginably luxurious compared to what you have today.

Remember: in some fields, the singularity has already happened.

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Digital Watch

via Open Access News:

Digital Watch is an Open Access online academic journal, which has been created by graduate students in the University of Pittsburgh School of Information Sciences to offer a forum for the discussion of issues relating to digital libraries and contemporary culture. The tone of Digital Watch reflects our intent to foster a lively and vigorous discussion of digital culture, one free of jargon and (unintentional) obfuscation. Future issues will be opened to contributions from the broader graduate and professional community of library and information science.

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