“restless, question-driven, active reading”

Gregory Crane, Reading in the Age of Google

As staggering as some changes have been over the past twenty-five years, it is difficult to predict what we will be reading in fifteen, ten, or even five years’ time. Subsequent developments may be even more dramatic as old ways of doing things dissolve and a new generation, immersed in electronic information from childhood, takes its place.

The goals we pursue-the hunger for ideas, the desire to understand more, the delight in reasoned, evidence-based debate-will continue to find new modes of expression. Reading has been in flux since writing began to emerge four thousand years ago. The increasing mechanization of print facilitated a shift from intensive reading, where readers repeatedly studied a few texts such as the Bible, Vergil’s Aeneid, or Shakespeare’s plays to extensive reading where readers moved through one novel after another. This shift had many effects, not least of which was laying the foundation for modern democratic society. The restless, question-driven, active reading in the age of Google may lead to a shift that is just as dramatic.

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“not exactly dignified”

Henry Farrell in the CHE:

Both group blogs and the many hundreds of individual academic blogs that have been created in the last three years are pioneering something new and exciting. They’re the seeds of a collective conversation, which draws together different disciplines (sometimes through vigorous argument, sometimes through friendly interaction), which doesn’t reproduce traditional academic distinctions of privilege and rank, and which connects academic debates to a broader arena of public discussion. It’s not entirely surprising that academic blogs have provoked some fear and hostility; they represent a serious challenge to well-established patterns of behavior in the academy. Some academics view them as an unbecoming occupation for junior (and senior) scholars; in the words of Alex Halavais of the State University of New York at Buffalo, they seem “threatening to those who are established in academia, to financial interests, and to … well, decorum.” Not exactly dignified; a little undisciplined; carnivalesque. Sometimes signal, sometimes noise. But exactly because of this, they provide a kind of space for the exuberant debate of ideas, for connecting scholarship to the outside world, which we haven’t had for a long while. We should embrace them wholeheartedly.

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Anti-spam

After installing Spam Karma 2 (a WordPress plugin), I’ve turned comments on as the default for this blog. We’ll see how it goes…

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The Journal of Electronic Publishing

The Journal of Electronic Publishing is an online journal published by the Michigan University Press.

Publisher’s note
Electronic publishing is changing the world we live in. It is changing what publishers do. It is changing the way scientists, business people, and students — all of us — work.

In this environment of change and uncertainty, the publisher faces many challenges: details such as Web design, server management, pricing (and collecting the revenue!) as well as the big policy questions.

The Journal of Electronic Publishing is for the thoughtful forward-thinking publisher, librarian, scholar, or author — in fact, anyone in this new business — facing those challenges. We aim to range widely in our coverage, but the emphasis will be on the broader issues that should shape policy, and on professional, scientific or academic publishing, both books and journals.

JEP faces the same problems as any electronic publication, and we intend to make a virtue of that by using the Journal as a testbed to try ideas and to show to you, our readers, what happens when we do. We hope for successes, of course, but we will report on our failures, too.

One experiment is that we are neither quite a magazine nor a journal. We are both. The core of each issue is a set of short invited contributions from expert and experienced practitioners on a particular theme. That is more like a magazine. We also seek out and encourage longer pieces from publishers and from scholars and others who are thinking interestingly about electronic publishing. That is the journal. And from time to time we are adding regular columns.

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Creative Commons: problems with -NC licenses

Erik Möller, “Are Creative Commons-NC Licenses Harmful?” Podcasting News, October 4, 2005. Excerpt (via Peter Suber):

When the Creative Commons project published its first licenses in December 2002, it finally brought a sense of unity behind the free content movement….One particular licensing option, however, is a growing problem for the free content community. It is the allow non-commercial use only (-NC) option. The “non-commercial use only” variants of the Creative Commons licenses are non-free, and in some ways worse than traditional copyright law — because it can be harder to move away from them once people have made the choice. There may be circumstances where -NC is the only (and therefore best) available option, but that number of circumstances should decrease as the business models around free content evolve. The key problems with -NC licenses are as follows: [1] They make your work incompatible with a growing body of free content, even if you do want to allow derivative works or combinations. [2] They may rule out other basic uses which you want to allow. [3] They support current, near-infinite copyright terms. [4] They are unlikely to increase the potential profit from your work, and a share-alike license serves the goal to protect your work from exploitation equally well…..As we will see, there are many desirable commercial uses….[I]f you choose an -NC license, your work will not be compatible with Wikipedia, Wikinews, Wikibooks, and similar free content projects. One reason for this is that licenses like Wikipedia’s, the GNU Free Documentation License, work according to the copyleft (or…”share-alike”) principle: You can make derivative works, but they have to be licensed under the same terms. You cannot make a derivative work through addition of -NC content, as you can no longer apply the (more liberal) “share-alike” license to the entire work. Even where the license allows it, marking up regions of content as non-commercial and consistently following these boundaries is almost impossible in a collaborative environment….The use of an -NC license is very rarely justifiable on economic or ideological grounds….Finally, if you must use such a license for one reason or another, please do add an additional notice specifying the term of copyright protection you desire for your work. Otherwise, traditional copyright law will apply, and commercial use will be forbidden long beyond your death.

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The Singularity

from Slashdot:

Rewind your brain 15 years and imagine what you’d think if I told you:

Your computer will be roughly 1,000 faster than what you’re using today. You will probably have more than 4,000 times the memory, and a fast hard drive that stores over 100,000 times as much as that floppy you’re using. You can buy these supercomputers for less than $500 at Wal-Mart.

That computer will be hooked into a self-directed network that was designed by the Department of Defense and various universities – along with nearly 400,000,000 other machines. Your connection to this network will be 10,000 times faster than the 300 baud modem you’re using. In fact, it will be fast enough to download high-quality sound and video files in better than realtime.

There will be a good chance that your computer’s operating system will have been written by a global team of volunteers, some of them paid by their employers to implement specific parts. Free copies of this system will be available for download over the hyperfast network. You will have free access to the tools required to make your own changes, should you want to.

You will use this mind-bendingly powerful system to view corporate sponsored, community driven messages boards where people will bitch about having to drive cars that are almost unimaginably luxurious compared to what you have today.

Remember: in some fields, the singularity has already happened.

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Digital Watch

via Open Access News:

Digital Watch is an Open Access online academic journal, which has been created by graduate students in the University of Pittsburgh School of Information Sciences to offer a forum for the discussion of issues relating to digital libraries and contemporary culture. The tone of Digital Watch reflects our intent to foster a lively and vigorous discussion of digital culture, one free of jargon and (unintentional) obfuscation. Future issues will be opened to contributions from the broader graduate and professional community of library and information science.

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The Open Content Alliance

The Open Content Alliance (OCA) represents the collaborative efforts of a group of cultural, technology, nonprofit, and governmental organizations from around the world that will help build a permanent archive of multilingual digitized text and multimedia content. Content in the OCA archive will be accessible soon through this website and through Yahoo!

The OCA will encourage the greatest possible degree of access to and reuse of collections in the archive, while respecting the content owners and contributors. Contributors to the OCA must agree to the principles set forth in the Call for Participation

Additional note: there are many more links concerning this project at Open Access news.

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IMEROS journal

Imeros is the official journal of the Foundation of the Hellenic World. The journal mainly deals with issues relating to the use of technology in the fields of cultural heritage, education and so forth. Some of the articles featured in the latest issue (no. 4/2004) are: Virtual Reconstructions in Archaeology and Some Issues for Consideration and The Virtual Reconstruction of the Hellenistic Asclepieion of Messene.

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Project StORe Researcher

Applications are invited for a researcher to work on the White Rose Consortium (York, Sheffield, Leeds) contribution to this JISC-funded project, led by the University of Edinburgh. The post is based in York and you will be conducting a survey by questionnaire and structured interview of archaeology researchers to determine their current use of digital repositories (Archaeology Data Service and White Rose e-prints repository) and their future requirements.

You will be educated to degree level or with equivalent experience, and have experience of survey methods and academic research. Excellent time management, IT and communication skills are required, with the capacity to work independently and collaboratively. Knowledge of archaeology will be an advantage.

Salary within the range: £19,460 – £21,640 or £22,507 – £29,128 per annum, reduced pro rata. An appointment on the lower scale is anticipated. The hours of work will be 18.75 per week and the post is available for nine months.

For further particulars and details of how to apply, please see our website at: http://www.york.ac.uk/admin/persnl/jobs/ or write to the Personnel Office, University of York, Heslington, York YO10 5DD, quoting reference number BH05408.

Closing Date: 12 October 2005

The University of York is committed to diversity and has policies and developmental programmes in place to promote equality of opportunity. It particularly welcomes applications from ethnic minority candidates.

(Advertisement source: http://jobs.ac.uk/jobfiles/HZ176.html)

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Archaeological Atlas of the Aegean

The Archaeological Atlas of the Aegean is an online atlas of the Aegean, created by the Ministry of the Aegean and the University of Athens, Greece. The Atlas is fully searchable and enables users to locate archaeological sites in mainland Greece, the Aegean islands and Asia Minor. The main features of the Atlas are maps, an index of sites and a time chart.

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Copyfraud

Jason Mazzone, “Copyfraud,” Brooklyn Law School, Legal Studies Paper No. 40, August 21, 2005. (Via Peter Suber and Klaus Graf.)

Abstract: Copyright in a work now lasts for seventy years after the death of the author. Critics contend that this period is too prolonged, it stifles creativity, and it undermines the existence of a robust public domain. Whatever the merits of this critique of copyright law, it overlooks a more pervasive and serious problem: copyfraud. Copyfraud refers to falsely claiming a copyright to a public domain work. Copyfraud is everywhere. False copyright notices appear on modern reprints of Shakespeare’s plays, Beethoven piano scores, greeting card versions of Monet’s water lilies, and even the U.S. Constitution. Archives claim blanket copyright to everything in their collections. Vendors of microfilmed versions of historical newspapers assert copyright ownership. These false copyright claims, which are often accompanied by threatened litigation for reproducing a work without the “owner’s” permission, result in users seeking licenses and paying fees to reproduce works that are free for everyone to use. Copyfraud also refers to interference with fair uses of copyrighted works. By leveraging the vague fair use standards contained in the Copyright Act and attendant case law, and by threatening litigation, publishers deter legitimate reproduction of copyrighted works, improperly insisting on licenses and payment of fees. Publishers wrongly contend that nobody may reproduce for any reason any portion of a copyrighted work, without the publisher’s prior approval. These circumstances have produced fraud on an untold scale, with millions of works in the public domain deemed copyrighted, and countless dollars paid out every year in licensing fees to make copies that could be made for free. Copyfraud stifles valid forms of reproduction and undermines free speech. Copyfraud also weakens legitimate intellectual property rights. Congress should amend the Copyright Act to allow private parties to bring civil causes of action for false copyright claims, and to specify as a statutory matter that copying less than five percent of a single copyrighted work is presumptively fair use. In addition, Congress should enhance more generally protection for the public domain, with the creation of a national registry listing public domain works, a symbol to designate those works, and a federal agency charged with securing and promoting the public domain. Failing a congressional response, there may also exist remedies under state law and through the efforts of private parties.

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Support still missing

(via Peter Suber) Brock Read, A New Report Bemoans the State of Online Research on American Literature, Chronicle of Higher Education, September 28, 2005 (accessible only to subscribers). Excerpt:

Whether digitizing out-of-print novels or publishing their own criticism, a growing number of scholars are putting their research on American literature on the Web. But they’re not getting much support from their colleges, according to a new report that also serves as a catalog of online literary research. The report, “A Kaleidoscope of Digital American Literature,” was released on Tuesday by the Digital Library Federation and the Council on Library and Information Resources. It draws on interviews and case studies compiled by Martha L. Brogan, a library consultant who was once the director of collection development for libraries at Indiana University at Bloomington. Ms. Brogan’s study is, first and foremost, a catalog that includes digital collections, bibliographies, oral histories, and other critical material. According to David Seaman, executive director of the Digital Library Foundation, the catalog is unprecedented, chiefly because scholarly projects on the Web pop up in a “disjointed” fashion. The report “provides us, I think for the first time, with a fairly comprehensive, current survey of what’s out there,” Mr. Seaman said, “and that’s half the value of the report.” The other half, he said, comes from Ms. Brogan’s finding that too many book-digitization projects are maintained by scholars as “a labor of love,” without any significant support from their college libraries or English departments. That is a disturbing trend, Mr. Seaman said, because it means that many influential scholarly sites have no agreed-upon standards for presenting material, no consistent source of outside funding, and no plan for what happens if a professor quits or suffers a computer breakdown. Perhaps because of those concerns, many humanities scholars say they have little use for online resources, according to the report. And many young professors are disinclined to conduct digital research projects because online scholarship, which is not often subject to peer review, is seldom considered in promotion and tenure evaluations. “Until the digital age,” Mr. Seaman said, “the model in the humanities was one scholar, one carrel, one book. Compare that to other disciplines, where teams of people have co-authored papers all the time. The rise in a sense of community is still quite new in the humanities, and I think digital scholarship has contributed to that.”

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more on Google Print

Tom O’Reilly weighs in on the Authors’ Guild suit against Google in today’s New York Times:

A search engine for books will be revolutionary in its benefits. Obscurity is a far greater threat to authors than copyright infringement, or even outright piracy. While publishers invest in each of their books, they depend on bestsellers to keep afloat. They typically throw their products into the market to see what sticks and cease supporting what doesn’t, so an author has had just one chance to reach readers. Until now.

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Aphrodisias in Late Antiquity Creative Commons License

A clarification of the CC license terms from the Inscriptions of Aphrodisias:

ALA 2004 Copyright clarification

The Creative Commons license information applies specifically to the narrative materials of this website: the introduction, commentary, appendices and indices. The photographs and plans are not all owned by us, and so they are subject to the usual restrictions for copyrighted material. The EpiDoc XML files containing the text and editions of the inscriptions may be considered formally exempt from clause 3, No Derivative Works. In fact we keenly encourage scholars to download our XML files and repurpose them to any interesting ends.

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